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Search results for Venom: Let There Be Carnage

MOVIE
The Key That Should Not Be Handed On
7.51977
AKirill Sergeyevich, a retired Army officer, becomes the new school Headmaster. Used to a strict and orderly routine, he at first finds the chaotic bustle of everyday school life hard... It is not easy to deal with both the children and the teachers, especially with the students' favorite Marina Maximovna who teaches Literature. Well then, wasn't Marina surprised to discover the "martinet" Nazarov to be a perceptive and tactful person and an experienced tutor.
MOVIE
Be Glad for the Song Has No Ending
7.51970
Be Glad for the Song Has No Ending is the eighth album by the Incredible String Band, featuring Mike Heron, Robin Williamson, Licorice McKechnie and Rose Simpson. It is the soundtrack for a film of the same name, and was released on Island Records in March 1971, failing to chart in either the UK or US. It would be the first album from the band on the Island label and the last to feature Joe Boyd as the producer.
MOVIE
Son-in-law to be who is enemy
5.51
U Saw Lwin and Paing Soe are lumber business competitors. Cherry at first sight Pai Soe and her father, U Saw Lwin, are in enmity. That is why U Saw Lwin disagrees and objects with Paing Soe and Cherry.
MOVIE
let the ephemeral ecstasies fall into us and fill us up
5.52014
my poetry is my body. my mouth. my hunger.
MOVIE
How to Let Go of the World and Love All the Things Climate Can't Change
7.12016
When documentarian Josh Fox realizes, after much soul searching, that the answers for how to respond to the degradation of our environment cannot be found in his own back yard, he travels the world to connect with communities that are already facing grave effects of climate change. What he finds is a complicated mix of tragedy and inspiration in the various ways climate change is affecting our value systems. How to Let Go of the World delivers a sobering portrait of the state of climate change, and takes stock of what makes humans survivors, and our societies so creative and resilient.
MOVIE
Jehovah's Witnesses—Faith in Action, Part 2: Let the Light Shine
7.51
A huge work lay ahead for the Bible Students as they endeavored to carry out Jesus’ command to “make disciples of people of all the nations.” There would be many opposers. Their understanding of the Scriptures would continue to grow. And their faith would be refined. Part two of this video series documents how Jehovah has led his people from 1922 to the present.
MOVIE
Let Them Know: The Story of Youth Brigade and BYO Records
7.82009
A lasting tribute and testament to over 25 years of BYO, Youth Brigade and the DIY spirit that has inspired and continues to inspire so many to change the world... Told through interviews and rare footage of the explosive LA punk rock scene from the 80's until now, Let Them Know: The Story of Youth Brigade and BYO Records is a full length documentary feature film that looks at the last 25 years of the influential L.A. Punk band Youth Brigade and BYO Records. This movie documents the early L.A. punk and D.I.Y. scene. Riots, harrassment from the law, amazing bands, crazy stories, and best of all, The Sterns Family's earnest desire to change the world through punk rock are captured in this moving documentary.
MOVIE
Rock and Roll Hall of Fame Live - I' ll Take You There
7.32009
Another installment from the historic vaults of the Rock And Roll Hall of Fame. Includes exclusive performaces by U2 with Bruce Springsteen, Queen with Dave Grohl and Taylor Hawkins, The Byrds with Don Henly & Jackson Browne and many more. Also includes induction and acceptance speeches, behind-the-scenes and rehearsal footage
MOVIE
Let Me In, I Hear Laughter: A Salute to the Friars Club
7.51999
Nostalgic history of the Friars Club. Aired on Cinemax Reel Life
MOVIE
There Are Not Thirty-Six Ways of Showing a Man Getting on a Horse
6.92020
"Nicolás Zukerfeld’s third feature is a wry, surprising work of filmmaking-as-criticism that begins as a kind of supercut of moments from the work of pantheon Hollywood auteur Raoul Walsh. This rhythmically entrancing parade of images traces a mysterious and amusing arc across the director’s vast oeuvre—but at the halfway mark, the film reinvents itself as an idiosyncratic, essayistic investigation into memory, cinema, and their shared mutability." - NYFF